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Feldaraboltság, magunkra záródás: a posztmodern állapot és az ezen való túllépés otthonos és idegen aspektusai

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dc.creator Hausmann, Cecília
dc.date.accessioned 2021-03-02T10:33:08Z
dc.date.available 2021-03-02T10:33:08Z
dc.date.created 2020
dc.date.issued 2020
dc.identifier.issn 1453-0961
dc.identifier.uri https://eda.eme.ro/xmlui/handle/10598/32488
dc.description.abstract Although we can perceive postwar art as one that reacts to forms and ideas perpetuated by Modernism, curiously enough, it is tantamount to a series of similar mechanisms both in terms of ideas and of the forms represented. This paper surveys and analyzes theories related to familiarity and strangeness in art theory from the 1970s, from the shipwreck of modernism, through hyperrealism and post-industrial art, to the thematic turn induced by the postmodern state, new ways of institutionalization, and new attempts on the definition of contemporary art, such as the interlocking vistas of meta-, alter-, pseudo- and digimodern.
dc.description.tableofcontents 66–76. old.
dc.format PDF
dc.language.iso Hun
dc.publisher Erdélyi Múzeum-Egyesület
dc.relation.ispartofseries Erdélyi Múzeum; 82/4
dc.rights Erdélyi Múzeum-Egyesület
dc.source Erdélyi Múzeum-Egyesület
dc.subject postmodern
dc.subject order
dc.subject disintegration
dc.subject reality
dc.subject familiarity
dc.subject strangeness
dc.title Feldaraboltság, magunkra záródás: a posztmodern állapot és az ezen való túllépés otthonos és idegen aspektusai
dc.title.alternative Disintegration and the Joy of Auto-Enclosure. Aspects of Familiarity and Strangeness in the Process of Endorsing and Exceeding the Postmodern State
dc.type article
dcterms.provenance Erdélyi Múzeum-Egyesület
europeana.provider Erdélyi Múzeum-Egyesület
europeana.unstored Erdélyi Múzeum-Egyesület
europeana.type TEXT
dcterms.medium paper


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